Among Hungary’s first generation DJs, Dork has been using music and record players as a means of non-verbal communication since 1996. She makes the valuable dimensions of the style evident by moving along the powerful yet meditative boundary of her human-centred techno.

The parties on Frankhegy - associated with her and by now gaining cultic significance -, together with the house-sized raypainting oeuvres she creates as a branch of attendant art have always been motivated by removing the limitations of time and space and by seizing the uplifting experience of transforming the audience into a community.

During her fifteen-year career, Dork has intended her selections to principally serve as a form of therapy, whether appearing at the Tresor Club in Berlin, or the run-down DJ deck of an open-air festival. Be it primary minimal, pitch black or abstract detroit techno, grotesquely outspoken and funny getto tech or energetic chicago house, she aims to reveal common human denominators valid there and then and the day after, emphasising her interaction with and intent towards the public. Her whole attitude holds the sincerest possible distorting mirror to the world of today’s parties that are lost in hollow glitter.