Aboard the A38, the main base of our series, we will also embark on our 2019-2020 season. We are introducing you to two truly special artists invited for the first time to our beloved home. Denise Rabe is one of the female DJs who has reached the peak of her career after a respectable and persistent job. At the age of 16 she first appeared in public as a DJ. In the meantime and ever since, she has been developing her abilities. She learned the scratch technique at a young age, beginning with hip-hop and drum and bass records, and entered the international techno scene in 2015 with her Mutewax-so debut. Since then she has been working incessantly on the beautiful side of her style. Her appearances are heard on the club speakers every weekend. It's no coincidence that her publications come in colors like Arts, Strobosopic Artefacts, and her own label, Rabe, which is a top-ranked publisher on the palette. In addition to being a producer, she is the esteemed promoter of the scene, run by one of the well-known Berlin clubs, the Ipse, and the Hide and Seek series. Musically, the perfect representation of Technokunst's sound. Deep, hypnotic, but sufficiently industrial and creepy.
Our second guest is an extremely special speaker. Stef Mendesidis is of Greek origin born in Moscow, begun his interesting life in Thessaloniki. Here he meets electronic music as a child. The atmosphere of illegal raves is so captivating that in the early twenties, when he finally moved to Moscow, he was instantly integrated into the famous Russian nightlife and instantly became one of the leaders of Moscow's underground techno elite. Its legendary 4-turntable sets have become world-famous thanks to the Monasterio residence. Starting from here, he has been conquering the true fast paced technora thirsty international audience with his kits ever since. She appears at festivals often after I Hate Models, which tells a lot about her stunning style. As a Russian DJ, it's not uncommon for a 10-hour set to slip out of hand. It's a musical talent. Zsiger's music is based on the "One-Take Recording" concept, which is commonly used by Detroit artists, meaning one-off recording without any subsequent editing. It is no coincidence that most techno publishers are looking for this proper and honest sound, but Ben Klock has become the label of Klockworks for the platform best suited for him. His sound could be placed somewhere between Jeff Mills and Dax J. It's amazingly dynamic, something that has long been missing from the clubs at home and we had to pilgrimage to Berghain so far. That's why we'll be giving the party the last slot on this Saturday in October. Our faithful companions, the Burning Bulbs, are responsible for making the big roll, as they do every year. The stage so far has been extended to almost the entire club, so the sound will be spectacular as well. Dorka and Isu invite all sincere techno fans who are fed up with superficial smudges and curious about true machine music.