
Hundred Sins & iamyank present: The Big Black Mass

"Origin [mise < Latin: missa (mise < dismissal) < mitto, misi (send)]
Note: The word refers to the old Latin closing words of the Mass: Ite missa est (go, "dismissal
there is")."
Hundred Sins, declared the most exciting producer of recent years, who hides his identity with a red mask, and Iamyank, who is equally at home in electronics, post-metal, and classical music, are both representatives of the dark side, scratchy sounds and punk attitude. During their evening together, they look for intersections in each other's worlds, burying and rebuilding the future at the same time.
Hundred Sins
The musical style of the mysterious Hundred Sins can be characterized by the words experimental, bass heavy and oversaturated. Thanks to his EDM past, his music has trance-dubstep style features that largely define his sound. The masked producer has become an unavoidable factor for the new generation. He recently collaborated with artists such as Beton Hofi, AKC Misi, ajsa luna, Lil Frakk or even Azariah, but he also made music for the fashion brand Klipszemlé and is also featured in Dalfutár.
His debut album, Opera, was released in May 2022, which was received with great enthusiasm by both the industry and the public. Live, accompanied by his band and feats, he overloads the eyes and ears.
IAMYANK - I saw the future die
After his first solo LP released in 2016, iamyank started a wide-ranging research work, which included solo piano (Una notte), classical music (iamyank Live Ensemble - Sarah), film music (A best things should be hummed), post-metal (All Machines Will Fail - And We), contemporary jazz-electronica (Phasing Shapes) projects grew, and then in 2022 he returned to his solo project and turned the material he had written for the Fekete Zaj Festival a few years earlier into a LP. The 11-song "I saw the future die" is one of the cleanest collections of our work: elements of all his previous works can be discovered in it: from cinematic, ethereal atmospheres to monumental drums to piercing electronic or guitar riffs. And the album's title track is built around Yank's new border crossing: he performs his own lyrics in his own voice in a painful, intense musical context. In the live version of the record, two drummers (Dániel Szalay, Máté Kocsis) and extreme lighting make the musical material whole. If you're in the mood for our most intense live show, this is it.
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